|
|
|
|
|
|
|
|
|
|
|
PC-INFOGAME.COM: Audio Hardware
|
|
|
|
|
|
 |
In the home-studio, surrounding walls and card sound are both major elements. In general, neutral surrounding walls are searched to restore the sound without impairment and so to be capable of performing a correct sound mixing. The card sound in the middle of all chain of recording in restitution. A sound mixing table allows to make easier the organisation of the home-studio but is not necessary according to the number of peripherals to disposition. |
|
Surrounding walls of monitoring |
|
|
Model: YAMAHA HS80M
These active surrounding walls of monitoring allow a neutral restitution of the different beaches of frequencies. I was surprised to what extent good surrounding walls allowed to make easier the job of sound mixing. These surrounding walls have a broad stereo plan allowing to position to specify every instrument. Basses often lacking in surrounding walls a coffer perhaps topped up later. |
|
Secondary surrounding walls |
|
|
Model: M-AUDIO AV40
The more surrounding walls are said "neutral", the more they restore the sound such as it was recorded and worked without any embelissement. They allow so to accomplish an objective sound mixing. AV40 is not entirely neutral, far needs, but are a good compromise between quality and price. |
|
|
Model: ECHO GINA 3G
The card sound is the element spindle of shape: quality of recording? quality of converters? Gina 3G is a card PCI with two préamplis (microphones and instruments). |
|
|
Model: MACKIE VLZ 1402
This sound mixing table is of a very good report quality price. Reliability and robustness of products Mackie do not have to be any more proved. She has 4 stereo entries, 6 entrance monoskiing and notably exits ALT 3/4. These exits are very practical because every entrance TRANSFERS it is sorted for mailing towards the exit ALT 3/4. This allows for example to connect a card his directelent over. |
|
|
Model: BIG MACKIE KNOB
This element is just before surrounding walls. He allows to sort for mailing very easily towards several exits, for for example, to listen on several games to surrounding walls. He has an exit so notably foot the bill independent. It is a very simple but also very practical tool by which they always pass. |
|
|
Model: STEINBERG CC121
A control surface is only simple performance indicators sending signals MIDI to DAW such as Cubase. It is in fact abbreviated one physical of different available orders in Cubase (play, record, EQ). Saving of time is considerable because it is intuile to search option in Cubase or to manipulate windows. |
|
|
Model: YAMAHA FC7
An expression pedal linked up with a master keyboard midi allows to change the controller real-time midi CC11. This controller is used in many sounds banks (East West Hollywood G-strings for example) to make vary the dynamics of instruments. The pedal can also be used to make vary any other controller midi such as the volume CC7. It is so necessarier to play on the automation in the sequencer but to record the single catch real-time. |
|
|
Model: RADIAL NERVE PRO 48
A case of DI is a necessary element when it is a question of linking any instrument to high impedance (guitar) in an entrance line level (of sound mixing table). A case of DI is useful that it is on stage or in the home-studio. Radial nerve is one of the leaders in this domain notably by offering here a box of passive DI, that is to say fed by feeding ghost of the sound mixing table. |
|
|
Model: BEYER DYNAMIC DT770 PRO 250 Ohms
Even if the job in the helmet is often prohibited by the purists of sound mixing, it remains nevertheless that some defects agree only under the helmet (parasitic, wrong notes). And if they want not to bother his neighbours, useless to invest in studio surrounding walls. |
|
|
Model: Shure Beta 58A
Shure Beta 58A is a dynamic stage microphone supercardioïde. There are many types of microphones: ribbon, in capacitor, dynamics cardioïde, supercardioïde As part of a home-studio, a stage microphone is adapted well to limit the noise of the common life without however having the heat of a microphone with capacitor. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
