|
|
|
|
|
|
|
|
|
|
|
Simple percentage this the End?
|
|
|
|
|
|
|
|
Musical constructed composition as a history in 3 movements: the threat of a nuclear event, post apocalyptic world and final hope. This piece puts one before many thematic elements as well as a broad panel of instruments: orchestra, choruses, synthé, duduk, guitar... Composed under Cubase 6 with Hollywood G-strings, Brass Hollywood, Omnisphere and the percussions / choruses of Tonehammer. |
|
|
|
|
|
|
|
|
|
|
|
The Long Road
|
|
|
|
|
|
|
|
Musical composition from a picture illustrating a huge road across a splendid landscape. Let us imagine a person who leaves for new adventures... Strings bring a nostalgic side in the first part while the second predicts new horizons thanks to the ethnic instruments. |
|
|
|
|
|
|
|
|
|
|
|
It was has winter
|
|
|
|
|
|
|
|
Music composed from a picture illustrating a gentle winter landscape. Tournament organised on the forum Music of jeuxvideo.com. Tablecloths of strings and a horn recalls the calmness of the place accompanied by choruses of children and of bells. Percussions and guitar avoid coming back into musical cliché. |
|
|
|
|
|
|
|
|
|
|
|
Horizon
|
|
|
|
|
|
|
Freyrdaam is an acoustical group guitar-voice offering pieces in a style pop-folklore. In search of an arranger to bring an orchestral colour in their music, I accepted their proposal.
This mock-up brings an additional orchestral dimension notably by giving a bass more solid than in the original piece. Of many contrechants (violins, oboe, flute) allow to bring discreet variations which enrich monotonous verses in harmony and rhythmics. Introduction, transitions and conclusion were réecrites to bring additional melodies. Sound mixing was seen again to bring more thickness in voice (reverberation) as well as a better presence of the guitar (panning).
This arrangement allowed to work on a foreign piece by respecting the pressures of structure of the piece and of harmony. This mock-up was not kept by the group because the dimension pop of the group was less marked to the advantage of direction more music of film/orchestrale. |
|
|
|
|
|
|
|
|
|
|
|
Demo of East West Quantum Leap
|
|
|
|
|
|
|
|
Composition allowing to show the use of sounds banks East West Quantum Leap to know Symphonic Orchestra Platinum More, Symphonic Choirs, Voices Of Passion and Stormdrum 2. |
|
|
|
|
|
|
|
|
|
|
|
Irvine - Final Fantasy VIII
|
|
|
|
|
|
|
|
The sniper of FF8 in characteristic look inspires a far-west ambience. On a rhythm of dry guitar, an Indian flute suggests a gentle melody on violoncello bottom. |
|
|
|
|
|
|
|
|
|
|
|
Zell - Final Fantasy VIII
|
|
|
|
|
|
|
|
Zell, faithful friend of Squall, is an enthusiast of martial arts. The oriental side is put forward during this session of training. Regulated by taikos and violoncellos, the koto frees with the shakuhachi. |
|
|
|
|
|
|
|
|
|
|
|
Quistis - Final Fantasy VIII
|
|
|
|
|
|
|
|
Quistis is sign to the University of Squall but a good combatant is nevertheless. His traditional school side is put forward by the violin soloist supported by a harpsichord. The snare drum and the horn suggests the military side of Quistis. |
|
|
|
|
|
|
|
|
|
|
|
The Rock - In New Beginning
|
|
|
|
|
|
|
|
Orchestral composition created under Cubase. Melancholic theme is alone developed in the piano. The orchestra accompanies the melody then progressively: strings with a contrechant by violoncellos then theme is then interpreted alone by strings and winds. Rhythm changes the binary in the ternaire, marked by choruses and progressive arrival of strings and of copperwares on a final of taikos. |
|
|
|
|
|
|
|
|
|
|
|
Another time
|
|
|
|
|
|
|
|
This piece registers in the style of the symphonic metal, that is it alloys orchestra, guitar, drum kit and synthé. This composition becomes divided into three sections articulated around a central theme. The first section introduces the melody in violins leaving in turn the first role in the flute, the guitar; the group regulated by the double pedal of the drum kit. The central part of the piece leaves the place in a guitar solo on bottom of synthé. To finish, composition takes back initial theme in the piano supported by the only orchestra. Guitar played and recorded by myself. |
|
|
|
|
|
|
|
|
|
|
|
Final Fantasy VIII - Opening Scene
|
|
|
|
|
|
|
|
Composition for the kinematics of introduction of game Final Fantasy VIII (Liberi Fatali). Orchestral piece evolving with the picture: walk supported by violins, piano in dark paces, scene of action in the electric guitar and child's solo with choruses... Composed with Cubase. Electric guitar played by myself. |
|
|
|
|
|
|
|
|
|
|
|
Face Your Destiny (lord Of The Ring)
|
|
|
|
|
|
|
|
Composition introducing a theme in the warlike tones. Orchestration varied with copperwares, choruses there staccato, shakuhachi on rousing bottom of detached violoncellos. An assemblage of the Lord Of The Rings illustrates composition in picture. |
|
|
|
|
|
|
|
|
|
|
|
Final Fantasy X - Ceremony
|
|
|
|
|
|
|
|
Piece composed for a kinematics of Final Fantasy X. First composition with software Reason. |
|
|
|
|
|
|
|
|
|
|
|
The Might Of The Spirit
|
|
|
|
|
|
|
|
Composition mélant electric guitar, choruses and strings. Put down melody rapellant a hymn accompanied with solos guitars. Modulations enrich the melody. |
|
|
|
|
|
|
|
|
|
|
|
Do you think I' m has Saxon?
|
|
|
|
|
|
|
|
Extract of the film ' The king Arthur ', music composed by grunts Zimmer. The heroic theme of the Saxons is played the piano here entirely on a bottom of strings. |
|
|
|
|
|
|
|
|
|
|
|
Evenstar
|
|
|
|
|
|
|
|
Extract of the film 'The Lord Of The Rings: Both Tours', music composed by Howard Shore. This theme linked to Arwen casting in future with Aragorn is entirely played by strings. |
|
|
|
|
|
|
|
|
|
|
|
He' s has pirate (piano)
|
|
|
|
|
|
|
|
Extract of the film 'Pirates of the Caribbean', music composed by Klaus Badelt. This present music during the generic of the end is a compilation of the main themes of the film interpreted in the piano only. |
|
|
|
|
|
|
|
|
|
|
|
The Might Of Rome
|
|
|
|
|
|
|
|
Extract of the film ' Gladiator ', music composed by grunts Zimmer. This majestic piece accompanies the arrival of the Convenient emperor to Rome. The interpretation treated by a group with strings is very close to the original piece. |
|
|
|
|
|
|
|
|
|
|
|
The Return of The King
|
|
|
|
|
|
|
|
Extract of the film 'The Lord Of The Rings: the Return of the King', music composed by Howard Shore. This piece along 8min accompanies the ceremony of coronation of Aragorn and the return of Hobbits in County. All main themes of the trilogy are present and entirely interpreted in the piano. Very big wealth of this piece. |
|
|
|
|
|
|
|
|
|
|
|
Rohan
|
|
|
|
|
|
|
|
Extract of the film 'The Lord Of The Rings: Both Tours', music composed by Howard Shore. This piece contains the theme of Eowyn followed by the majestic refrain of Rohan (The King Of The Golden Foyer) interpreted only in the piano. |
|
|
|
|
|
|
|
|
|
|
|
Singularity Main Title
|
|
|
|
|
|
|
|
This music accompanies the main menu of game (Singularity) which I developed for nvidia competition. A singularity is the centre of a black hole, the main melody of the piece illustrates this majesty, this immensity of the space by using mainly electronic tones, piano and group of choruses. |
|
|
|
|
|
|
|
|
|
|
|
Battle style Final Fantasy
|
|
|
|
|
|
|
|
This music was composed to accompany battles of an amateur video game. Inspired by Final Fantasy and his battles in the turn by turn, different electronic, instrumental melodies succeed one another on a rousing rhythm. |
|
|
|
|
|
|
|
|
|
|
|
Sand Lost
|
|
|
|
|
|
|
|
This music was composed for an amateur video game. She accompanies a desert village where from the use of a mandolin as main instrument. The calm and put down melody supported by discreet choruses represents the peace which reigns in the village. |
|
|
|
|
|
|
|
|
|
|
|
Dreams Legend Main Title
|
|
|
|
|
|
|
|
It is about the music of the main menu of an amateur video game. The theme really forward brings a majesty feeling. A group with strings is accompanied with a flute of section as well as with discreet choruses supporting the melody. The piece suffers several modulations. |
|
|
|
|
|
|
|
|
|
|
|
In farewell glance
|
|
|
|
|
|
|
|
This melancholic but asserted piece is played electronic sonority by a piano. The worked melody is accompanied again and again by choruses. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
